Tag: Cambodia

  • Angkor Temples – Part 1

    Angkor Temples – Part 1


    Cambodia is a popular tourist destination, which has been driven, historically, by the desire to visit the Angkor temples. However, visitor numbers to the Angkor temples in the last few years have actually decreased.

    During the Covid pandemic, visitor numbers to the temples, and Cambodia generally, were very low, but since the end of the pandemic, and although international tourist arrivals to Cambodia have increased, the proportion visiting the Angkor temples have decreased.

    Much of this decline can be attributed to the disappearance of Chinese visitors, which is bad news for tourism businesses around Siem Reap, but good news for tourists, with less crowding at the popular temples.

    Chinese visitor numbers are increasing, though. I read recently that Chinese visitors have increased over 40% this year (2025), compared to last year (2024), admittedly from a low base post-pandemic, but now placing visitors from China third, after Thailand and Vietnam – they used to be first.


    Part 3 – general advice for photographers, and resources:


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    Building collapse at Ta Prohm temple.
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Detail of intricately carved sandstone pediment, Banteay Srei temple. ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Angkor Wat temple silhouetted against a cloudy sky at sunrise, Cambodia
    Angkor Wat temple at sunrise.
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

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    Angkor Wat temple viewed from the south-west.
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Angkor Wat temple reflections. ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Angkor Wat temple surrounded by jungle, viewed from Phnom Bakheng.
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

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    Angkor Thom North Gate face tower, viewed from the south. Not Angkor Wat! ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Forest path on top of the walls of Angkor Thom, Angkor Archaeological Park, Cambodia
    Forest path along the top of the walls to the ancient city of Angkor Thom, Cambodia
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Northern face of the Angkor Thom East Gate. This is in the ancient city of Angkor Thom, not at Angkor Wat!
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Giant face on the upper level of the Bayon temple.
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Giant faces on the upper level of the Bayon temple.
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Giant stone face on the face tower of the eastern entry gopura at Banteay Kdei Temple, Cambodia
    Giant stone face on the face tower of the Banteay Kdei Temple, Cambodia.
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

    At the centre of Angkor Thom is the Bayon temple, famous for its many face towers, carved with enigmatic, giant stone faces, shown in the two images above.

    In addition to the face towers at the Bayon temple and the Angkor Thom entry gates, there are face towers at other temples, usually on the main entry gates in the outer enclosure walls – such as at Ta Prohm, Banteay Kdei, Ta Som, and Banteay Chhmar.

    The image at left is a face on the eastern entry face tower at Banteay Kdei Temple, just across the road from Srah Srang.

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    Tree roots growing over Preah Khan temple, but not at Angkor Wat temple. ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Silk-cotton tree roots on Gopura III at Ta Prohm temple, but not at Angkor Wat!
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Tree roots growing over the “Tomb Raider” doorway, featured in the Tomb Raider movie, at Ta Prohm temple. There are no tree roots like this at Angkor Wat!.
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Tree roots growing over the inner enclosure at Ta Prohm temple, but not at Angkor Wat!.
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

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    Apsaras at the Bayon temple, dancing on lotus pads. These are not Devatas!
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Dancing Apsaras at the Bayon temple. These are not Devatas!
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Devatas guarding sanctuaries at the Bayon temple; standing, not dancing. These are not Apsaras! Note the parrot-like bird, lower left, in the bottom right devata image.
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

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    Part 3 contains general photographic advice and some useful resources for researching the temples, including a list of other posts in this series that will address individual temples, listed below, with tips for getting the most out of your visit photographically.

    These blog posts, based on my experiences, may help you get some great images. If there is a hyperlink in the list below, I have published the post. I hope you will be inspired!

    • Angkor Thom – Ancient Khmer City

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    All images in this post were shot either:

    • Using Fuji Sensia transparency film in Olympus OM1 cameras, with Zuiko lenses – transparencies were then scanned using a Nikon ED5000 film scanner and processed in Photoshop
    • Or, shot in RAW using digital Nikon camera bodies, with Nikkor Pro f2.8 lenses, and then processed in Lightroom and Photoshop.
    • Or, shot in RAW using digital Olympus OMD camera bodies, with Zuiko PRO f2.8 lenses, and then processed in Lightroom and Photoshop.

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  • Blue Skies in Phnom Penh

    Blue Skies in Phnom Penh


    Should your travels take you to Phnom Penh, the capital of Cambodia, and you wake up to a blue sky day – carpe diem! (seize the day!). A clear blue sky will help you capture some stunning images, because, as the old adage says, everything looks better with a blue sky. From editorial travel articles to promotional advertising, blue skies predominate. So, if you want to sell your travel images, or have an eye-catching print on your wall, make the most of blue sky days.

    Instead of going shopping or checking email/blogging in a cafe, consider visiting three landmark destinations in the city.

    Click on the links below to jump to:

    Fortunately, the three destinations are not very far apart, so you can easily walk between them, and, as most of the streets have a number, no name, it is very easy to find your way around.

    The distance from the market to the museum and palace complex is only about 1.5 kms (1 mile), but if you are not up to that walk in 38C temperatures (over 100F) then take a tuk-tuk, rickshaw, or taxi using the Cambodian ride-hailing app, PassApp.

    Download the app onto your phone, activate it, and then it is easy to request a ride. Enter your destination and preferred style of transport in the app – which already knows where you are – and a nearby driver will accept the job. The app will tell you when the driver will get to you – you can see their location on the street map – and most importantly, the app tells you what the fare will be. No more arguing with tuk-tuk drivers over the fare; no more taxi drivers refusing to use the meter (broken!) or taking the long way. The agreed fare is on the app screen.

    If, when I reach my destination, the driver asks for more than the agreed fare, I refuse to pay more, and just pay them the agreed amount – and then report them to PassApp. On the other hand, if the driver is friendly and takes me to my destination without expecting more than the agreed fare, I always tip them extra. This app takes all the hassles out of using tuk-tuks and taxis.


    The first destination is Psar Thmei, the Central Market building, a vast complex of market stalls at the end of St 130, less than a kilometre from the riverfront. The roof-line of this Art Deco building, completed in 1937 and designed by French architect Jean Desbois, features in the image below – the pale yellow roof of the building sandwiched between a blue sky and a blue lower roof.

    Domed roof of the Art Deco style Psar Thmei market building, also known as the Central Market, Phnom Penh, Cambodia
    Domed roof of the Art Deco-style Psar Thmei market building, aka, the Central Market
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

    The huge open dome, 26 metres high, allows for good ventilation, so even on a very hot day the interior of the building is cool.

    Domed roof of the Art Deco style Psar Thmei market building, also known as the Central Market, Phnom Penh, Cambodia
    Domed roof of the Art Deco-style Psar Thmei market building, aka, the Central Market
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

    The two images above were taken at different times on different days – the first at 12.50pm, and the second at 3.20pm – so regardless of what time you are there, you can usually get a good shot, because there are four sides and angles to choose from.

    You can also get aerial shots of Psar Thmei market from the nearby Sorya Center Point shopping centre, a few metres south of the market in St 63 – go up to the top floor balcony by taking the lift to the 8th level.

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    About 1.5 kms southeast of the Central Market is the National Museum of Cambodia, just north of the Royal Palace complex. To walk there from the Central Market take St 63 south until you reach St 154, turn left and walk east until you reach Norodom Blvd and then head south along the Blvd to St 178, turn left and head east, and then turn right into St 13 – the museum is up ahead.

    The museum buildings, designed by French historian and architect George Groslier, blend traditional Khmer temple architecture shown in the ancient Angkor bas-reliefs, with a French colonial-era reinterpretation, and were constructed between 1917 and 1924 .

    Ornate roofs of the National Museum of Cambodia, Phnom Penh, Cambodia
    Ornate, temple-inspired roofs of the National Museum of Cambodia, Phnom Penh, Cambodia
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

    The buildings are painted in a combination of reddish-brown terracotta and lighter brown colours, with unglazed clay roof tiles on steeply pitched, multi-tiered roofs with temple-like pointed finials, and carved gable ends.

    Carved gable end of roof at the National Museum of Cambodia, Phnom Penh, Cambodia
    Carved gable end of roof at the National Museum of Cambodia, Phnom Penh, Cambodia
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

    Four display pavilions surround an inner courtyard, which features lotus ponds, paths, a central pavilion with a Leper King statue, and greenery – combined with a blue sky, these colours can look quite dramatic.

    Ornate, steeply pitched roofs of the National Museum of Cambodia, Phnom Penh, Cambodia
    Steeply pitched roofs of the National Museum of Cambodia, Phnom Penh
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    The inner courtyard garden of the National Museum of Cambodia, Phnom Penh, Cambodia
    The inner courtyard garden of the National Museum of Cambodia, Phnom Penh
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

    The steeply sloping, multi-tiered tiled roofs, curved and pointed, hornlike finials, and carved gable ends make for some interesting compositions, especially with a blue sky as a backdrop. As these features occur on all sides and corners of the building, it is possible to get good lighting at most times of the day.

    My visits have usually been in the early afternoon, but you could visit at most times and get dramatic photos because the courtyard will look good from one side or the other, regardless of the sun’s position – maybe avoid early morning or late afternoon if you want to avoid long shadows. If you are after particular lighting for a feature, maybe check out the Photographer’s Ephemeris, which will give the sun’s location for any time and date.

    The Leper King statue pavilion in the inner courtyard garden of the National Museum of Cambodia, Phnom Penh, Cambodia
    The Leper King statue, inner courtyard of the National Museum of Cambodia
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

    Centred in the courtyard is a roofed pavilion housing a stone statue of the “Leper King” – not a Buddha statue, and possibly not a leper or king, either! This statue is a copy of the original statue from the Leper King Terrace in Angkor Thom. The original statue was stolen from Angkor Thom, then recovered, and is now displayed inside the National Museum. The statues in the museum courtyard and in Angkor Thom are both copies. To get a photo without the cafe umbrellas in the background, shoot from the cafe side of the courtyard. The Photographer’s Ephemeris can help you work out the best time for that shot.

    Intricately carved sandstone pediment, inner enclosure of Banteay Srei temple, Cambodia
    Detail of intricately carved sandstone pediment, Banteay Srei temple.
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

    If you have ever wondered how the stonemasons managed to carve foliage so that it looks like stone has been removed from behind the leaves, a very delicate operation with sandstone, examine this pediment closely. As you are not allowed to take photos in the galleries I cannot show you the actual pediment, so the image to the left is an example from the actual Banteay Srei temple. The technique is simple, and often used in deeper bas-relief stone carving – the stone behind the foliage is tapered inwards slightly, which gives the effect of the foliage floating above the stone background.

    Buddha carved on a wooden door of the National Museum of Cambodia, Phnom Penh, Cambodia
    Buddha carved on a wooden door of the National Museum of Cambodia
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

    Around the exterior of the building are some interesting timber doors – carved with Buddhist iconography and painted black.

    The museum is open from 8am to 5pm every day. Entry fees for foreigners are $10 for adults (18+ years), $5 for 10 to 17 years, free for young children.

    Photography is allowed in the inner courtyard and around the exterior, but no photography is allowed within the museum galleries. There is a cafe inside the building, looking out onto the courtyard, and toilets downstairs.

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    Next to the National Museum is the Royal Palace of Cambodia, a complex of buildings that serve as the official residence of the King of Cambodia – the western courtyard is private, containing the King’s private residential villa, so not accessible by tourists. The first palace on this site was constructed by King Norodom between 1866 and 1870, and closely resembled the Grand Palace in Bangkok at that time.

    The Chan Chaya Pavilion in the landscaped grounds of the Royal Palace, Phnom Penh, Cambodia
    The Chan Chhaya Pavilion in landscaped grounds, the Royal Palace, Phnom Penh, Cambodia
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

    The Chan Chhaya Pavilion, known as the Moonlight Pavilion, next to the enclosing wall on the eastern side of the complex, at the northern end, is particularly impressive. Surrounded by extensive landscaped gardens, and usually with fewer tourists than the Silver Pagoda and Throne Hall, some creative compositions are possible.

    The Chan Chaya Pavilion in the landscaped grounds of the Royal Palace, Phnom Penh, Cambodia
    The Chan Chhaya Pavilion in the landscaped grounds of the Royal Palace, Phnom Penh
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    The Chan Chaya Pavilion in the landscaped grounds of the Royal Palace, Phnom Penh, Cambodia
    The Chan Chhaya Pavilion in the landscaped grounds of the Royal Palace, Phnom Penh
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    The gold and red roof of the Banquet Hall at the Royal Palace, Phnom Penh, Cambodia
    The gold and red roof of the Banquet Hall, the Royal Palace, Phnom Penh, Cambodia
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

    The Banquet Hall, also known as the Phochani Pavilion, was built in 1912 and is used for banquets on the King’s birthday. This open-sided pavilion is also not usually as busy with tourists as the Silver Pagoda and Throne Hall, and is surrounded by landscaped gardens.

    The gable ends of the Banquet Hall are richly carved and gilded, with a red background.

    The roof tiles on this building are predominantly red, with green borders, with the red tiles continuing up the spire, which has a gilded finial and highlights.

    The Banquet Hall in the landscaped grounds of the Royal Palace, Phnom Penh, Cambodia
    The Banquet Hall in the landscaped grounds of the Royal Palace, Phnom Penh, Cambodia
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Gilded gable end of the roof of the Banquet Hall at the Royal Palace, Phnom Penh, Cambodia
    Gilded gable end of the roof of the Banquet Hall at the Royal Palace, Phnom Penh, Cambodia
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Detail of gilded timber door at the Royal Palace, Phnom Penh, Cambodia
    Detail of gilded timber door at the Royal Palace, Phnom Penh, Cambodia
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

    In various locations around the complex you will find some carved, richly-gilded timber doors with red backgrounds. They often have bas-relief-style carvings of foliage, similar to that at temples such as Banteay Srei, in the Angkor Archaeological Park – the seemingly undercut foliage shown in the two images to the left being considerably easier to achieve in wood than in sandstone. Buddhist iconography is also a common theme, as in the image below.

    Detail of gilded timber door at the Royal Palace, Phnom Penh, Cambodia
    Detail of gilded timber door at the Royal Palace, Phnom Penh, Cambodia
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Detail of gilded timber door at the Royal Palace, Phnom Penh, Cambodia
    Detail of gilded timber door at the Royal Palace, Phnom Penh, Cambodia
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

    The enclosing walls of the Silver Pagoda compound feature ornate gatehouses, such as the image below left. These gatehouses continue the temple design theme on a smaller scale, but still include carved gilded gables, temple-inspired finials, tiled roofs, and gilded spires.

    There are also ornate metal door screens – part of one is shown below right. When I was there, the screens were faced with a clear acrylic sheet, which reflected a lot of glare, requiring some dodging and burning in Photoshop to produce a clear image.

    Ornate roofs to a gatehouse in the enclosing walls to the Silver Pagoda compound at the Royal Palace, Phnom Penh, Cambodia
    Ornate gatehouse roofs in the enclosing walls to the Silver Pagoda compound
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Detail of metal gatehouse door screen in the Silver Pagoda compound at the Royal Palace, Phnom Penh, Cambodia
    Detail of metal gatehouse door screen in the Silver Pagoda compound
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

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    On the cloister walls of the courtyard surrounding the Silver Pagoda is a painted mural of the Ramayana, known as the Reamker in Khmer – the Cambodian version of the epic Sanskrit poem. Over 600 metres long (about 1970 feet), and up to 3.5 metres high (about 11.5 feet), the mural covers about 2000 square metres of wall (about 22,500 square feet). It was painted in the early 1900s, but has been eroded by the weather and micro-organisms, so parts of it are in a poor state.

    The story starts at the right side of the gate in the centre of the eastern cloister wall, and finishes at the left side of the same gate. The narrative is continuously painted as a single panel from beginning to end, with the main scenes separated by vegetation, boulders, or occasionally a river.

    I intend to post a photo essay on the Reamker, but for now, this is a taster of what to expect when you visit the mural at the Royal Palace – which was actually the highlight of the visit for me.

    Detail of the mural depicting scenes from the Reamker, the Khmer version of the classic Sanskrit epic poem, the Ramayana, painted on the gallery walls enclosing the Silver Pagoda compound, at the Royal Palace, Phnom Penh, Cambodia
    Detail of the mural depicting scenes from the Reamker, the Khmer version of the classic Sanskrit epic poem, the Ramayana, painted on the gallery walls enclosing the Silver Pagoda compound, at the Royal Palace, Phnom Penh, Cambodia
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com
    Detail of the mural depicting scenes from the Reamker, the Khmer version of the classic Sanskrit epic poem, the Ramayana, painted on the gallery walls enclosing the Silver Pagoda compound, at the Royal Palace, Phnom Penh, Cambodia
    Detail of the mural depicting scenes from the Reamker, the Khmer version of the classic Sanskrit epic poem, the Ramayana, painted on the gallery walls enclosing the Silver Pagoda compound, at the Royal Palace, Phnom Penh, Cambodia
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

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    The entry fee for foreigners is $10, and you get three hours to view everything – which will probably include queuing to view the interiors of the Silver Pagoda and Throne Hall – and take photos in the landscaped grounds. On a busy day it may not be enough time.

    It seems expensive when you consider that for same amount (on a 7-day visitor’s pass) you can enter the Angkor Archaeological Park, starting at 5am and finishing at 7pm, and view as many temples as you wish within the Park. Maybe what is needed is Cultural Pass for one fee that allows visits to various cultural and historic sites within a designated period – similar to the pass available in Hoi An, Vietnam.

    The opening hours are 8am to 11am, and 2pm to 5pm daily, but note that the complex is closed on most Cambodian public and religious holidays, and may be closed during official royal functions.

    Closing the Royal Palace complex between 11am and 2 pm could be considered fortunate, really – it means you avoid taking photos in the harsh light around midday, although it would be a good time to view the interiors of the Silver Pagoda and Throne Hall.

    All of these images of the Royal Palace were taken on the same afternoon, between 3pm and 4.30pm. At that time of day the shadows are beginning to get longer, so arriving earlier would be better.

    It is worth noting that by mid-afternoon there will be long queues of visitors waiting to go into the Silver Pagoda and Throne Hall – very popular with local Cambodians, especially at weekends – so if seeing the interiors of these buildings is important to you, it may be better to visit in the morning.

    If you decide to visit in the morning my advice would be to enter at 8am and go straight to The Silver Pagoda and/or the Throne Hall to view the interiors – mainly because the sun is lower at this time and the shadows will be longer. After viewing inside, the sun will be higher, with shorter shadows cast – better for photography.

    If you decide to visit in the afternoon my advice would be to enter at 2pm and start taking photos, while the sun is higher and the shadows are shorter. Then, later in the afternoon, as the sun is going down, queue to visit the interiors of the Silver Pagoda and/or the Throne Hall – there may not time for both if you leave it too late, so check the queues as you are shooting.

    Photography is permitted throughout the grounds, but not inside the Silver Pagoda or the Throne Hall – check the signage on the outside of buildings. The 3-hour slots give you plenty of time to explore and take photos, in theory, but be aware that with the restricted opening hours it can get very busy, especially if you want to view the interiors of the Silver Pagoda and Throne Hall.

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    Although the emphasis of this blog post has been on making the most of blue sky days, sometimes, buildings with an overcast sky can be dramatic. The image below, taken in Istanbul, was the result of a very small patch of blue sky, in an otherwise totally overcast sky, allowing the sun’s rays to shine on the domes of Rustem Pasa Mosque (at front) and Suleymaniye Mosque – it was all over in about two seconds, so be ready to press that shutter button!

    Late afternoon sun shining on the domes of Suleymaniye Mosque and Rustem Pasa Mosque in an overcast sky, viewed from Eminonu, Istanbul, Turkey,
    Late afternoon sun shining on the domes of Suleymaniye Mosque and Rustem Pasa Mosque in an overcast sky, viewed from Eminonu, Istanbul, Turkeye
    ©2025 Rick Piper Photography. View a hi-res version of this image at rpphotoz.com

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